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(b) (c) (b) Points must have been earned in at least three (3) classes over two categories.

A minimum of one point must have been earned in either Showmanship At Halter, English Equitation or Western Equitation. (c) AMATEUR HALTER CLASSES High Point Amateur of Each State phaa rulebook 2012.doc Page 36 Rule Book Effective 1st August, 2012 Amateur Halter Classes are to be judged in the same manner as Halter Classes, as described in Rule 231.

In order to obtain PHAA points, Amateur Halter classes must be closed to Paint Horses (Regular Registered only or Paint Bred Horses only.

Mixed sex classes will not receive points, exception Grand Champion.

An amateur may only exhibit one horse in a class.

More then one horse may be exhibited by one amateur, provided that each horse is exhibited in a separate class.

Should an Amateur have more than one horse qualify for any Champion, Reserve Champion or Grand Champion award, then that Amateur can only show one of the qualifying horses and the other horse/horses can not be shown by another exhibitor or considered for those awards.

It is recommended that the following Masters Amateur classes be included in PHAA State and National Championship Shows. 1. 2. 3. 4. 5.

Showmanship Hunter under Saddle Western Pleasure Trail Western and English Equitation, Western Horsemanship, Western Riding and Reining, may also be offered PHAA MASTERS AMATEUR CHAMPION To win a PHAA Masters Amateur champion a Masters amateur must win fifty (50) or more points in competition in official shows and contests recognised by the PHAA provided: (a) The points have been won in five (5) or more shows under five (5) or more judges. (At least sixteen (16) of these points have been in showmanship at halter classes.

At least twenty-five (25) of these points have been won in amateur performance classes with a minimum of ten (10) points each having been earned in at least two categories, excluding Categories 5, 7 and 9.

These ten (10) points cannot be earned in a combination of categories.

Masters Amateurs competing with a Rider Exemption Card will be eligible if they obtain the total number of points required for this award in at least two (2) categories excluding Categories 5 and 9. AMATEUR ENCOURAGEMENT AWARD At the Board of Directors’ discretion, an Amateur Encouragement Award may be given annually.

This award is given to an Amateur who has displayed good sportsmanship and who is promoting Paints horses through the Amateur program in a positive manner, showing promise in their chosen field of competition.

Recipients must be a current member in good standing with the Paint Horse Association of Australia.

They must be an Amateur or Masters Amateur riding or showing either Paint or Paint Bred registered horses.

The Award will be announced at the same time as Year End Honour Roll Awards.” (Rule change approved BOD Meeting June 2012) (b) (c) (d) 237.(A) NOVICE DIVISION – AMATEUR Novice Amateur Division discontinued from 1st August, 2012 237 (B) MASTERS AMATEUR PHAA members who qualify under Rule 237 as an Amateur, will be eligible to apply for Masters Amateur endorsement from the date of their 50th birthday.

Proof of age will be required on application by providing a copy of Drivers License or Birth Certificate.

All rules pertaining to Masters Amateur eligibility and criteria will be according to rules used for PHAA Amateur Program.

Financial members of the PHAA who are current Amateurs may apply for Masters Amateur endorsement.

Masters Amateur endorsement entitles an Amateur to compete in Masters Amateur classes once a fee has been paid and the application processed.

Masters Amateurs must not compete on a different horse at the same show in the same category in Amateur classes.

A separate Points sheet is to be submitted for Masters Amateur classes.

Masters Amateur points earned with Paint Bred horses shall remain in a separate Honour roll.

A Masters Amateur cannot compete as an Amateur in the same class at the same show.

Eg Masters Amateur Trail cannot compete in Amateur Trail as well.

A Masters Amateur choosing to compete in any category at a show (for example Masters Trail) is not confined to Masters Amateur in other classes (eg Masters Hunter Under Saddle, and Masters Western Pleasure).

Points gained in Masters Amateur classes or Select Amateur classes will be tabulated for Masters Amateur Honour Roll and High Point Awards.

Masters Amateur Points will not be added into calculations for PHAA open Amateur Honour Roll and Awards. PHAA Masters Amateur Versatility To earn this title, five (5) ROMS from all categories, but excluding 5, 7 and 9, must have been earned, one (1) being earned in Masters Amateur Showmanship at halter.

A superior rating must also have been earned in one of these five events.

Superior All-Round Masters Amateur Award (a) The Masters amateur must have won a total of 300 points.

All categories excluding 5, 7, 9 and 11 are eligible to gain points for this award. (b) A superior must be earned from five of the seven remaining categories.

Five ROMs must also be earned other than that in which the qualifying Superiors were won.

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    STATION 3 – Types of Western Saddles Question 1 2 3 4 5 6 7 8 9 10 Answer K All Purpose E Barrel Racing B Training Saddle C Cutting Saddle H Western Endurance F Western Show Saddle A Equitation Saddle J Plantation Saddle D Roping Saddle G Reining Saddle Question 1 2 3 4 5 6 7 8 9 10 STATION 4 – Events Answer I Dressage K Draft Horse Pull H Harness Racing A Eventing E Dressage Driving B Stadium Jumping C Steeple Chase D Competitive Driving G Fine Harness J Pleasure Driving STATION 5 – Parts of the Horse Question 1 2 3 4 5 6 7 8 9 10 Answer D Forehead B Face F Throatlatch I Thigh K Ankle L Stifle A Pastern C Elbow J Chest G Pt of Shoulder STATION 6 – English Bridle & Bits Question 1 2 3 4 5 6 7 8 9 10 Answer C Crown piece G Cheek piece I Reins F D-Ring snaffle E Cavesson K Throatlatch B Eggbutt snaffle O-ring snaffle L Pelham H Kimberwicke Name County STATION 7 – Health Issues Question 1 2 3 4 5 6 7 8 9 10 Answer A Ascarids C Colic G Cushings M Strangles F Proud Flesh D Bots J Cataract B large Strongyle E Rain Rot K Laminitis STATION 8 – Parts Bit and Hackamore Question 1 2 3 4 5 6 7 8 9 10 Answer A Purchase K Headstall Ring H Spade I Rein Ring J Shank E Bar L Bit Hobble C Cheeks D Curb Chain F Nose band STATION 9 – Colors of POA Question 1 2 3 4 5 6 7 8 9 10 Answer F Bay with snowflakes J Brown with snowcap A Chestnut varnish roan K Grullo with blanket B Perlino with blanket G Chestnut leopard H Red Dun with blanket C Black few spots D Palomino with blanket E Bay Snowcap Question 1 2 3 4 5 6 7 8 9 10

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    Airs Above The Ground : This origin also points out why according to most Classical….

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    Classical dressage From Wikipedia, the free encyclopaedia Classical dressage evolved from cavalry movements and training for the battlefield, and has since developed into the competitive dressage seen today.

    Classical riding is the art of riding in harmony with, rather than against, the horse.

    Correct classical riding only occurs when the rider has a good seat and a correct and well-balanced body position, moves with the horse’s motion, and gives and times the aids correctly. NATURAL ABILITIES OF THE HORSE The origins of classical dressage and collection lie in the natural ability of the horse and its movements in the wild.

    In fact, most modern definitions of dressage state that the goal is to have the horse perform under saddle with the degree of athleticism and grace that it naturally shows when free.

    Horses naturally use the concept of collection when playing, fighting, competing and courting with each other.

    When trying to impress other horses they make themselves look bigger, just as other animals do.

    They achieve this by pumping up the chest, raising the neck and making it bigger by flexing the poll, A painting of the Spanish Riding School in 1783 while at the same time transforming their gaits to emphasize more upwards movement.

    When fighting, the horse will collect because in collection he can produce lightning speed reactions for kicking, rearing, spinning, striking with the front feet, bucking and jumping.

    This natural ability to collect is visible in every horse of any breed, and probably inspired early trainers to reproduce that kind of behavior in more controlled circumstances.

    This origin also points out why, according to most Classical dressage trainers, every healthy horse, regardless of its breed, can perform classical dressage movements, including the Haute Ecole jumps, or Airs above the ground, even though it may perform them a little differently from the ideal performance due to the build of its body. A HISTORY OF CLASSICAL DRESSAGE The earliest surviving work on many of the principles of classical dressage was Xenophon’s On Horsemanship.

    Xenophon emphasized training the horse through kindness and reward.

    In the 15th century, brute force training largely came to an end while artistry in riding was once again coming into its own.

    Along with these developments came indoor riding.

    The Renaissance gives rise to a new and enlightened approach to riding as a part of the general cultivation of the arts.

    By the Victorian age indoor riding had become a sophisticated art, with both rider and horse spending many years perfecting their form.

    Gueriniere, Eisenberg, Andrade and Marialva write treatises on technique and theory.

    The horses were trained for a number of airs or schools, above the ground movements that enabled their riders to escape if surrounded, or to fight more easily.

    These included movements such as levade, capriole,courbette, and ballotade.

    Movements still seen today in dressage include the piaffe, passage, and half-pass. CLASSICAL DRESSAGE VS.comPETITIVE DRESSAGE CAPRIOLE COURBETTE LEVADE Modern dressage evolved from the classical school, although it is seen in a slightly different form than its ancestor.competitive dressage is an international sport ranging from beginner levels to the Olympics.

    Unlike classical dressage, competitive dressage does not require the aires above ground, which most horses cannot perform well even with correct training, due to physical limitations.

    Instead, competitive dressage focuses on movements such as the piaffe, passage, half-pass, extended trot, pirouette, and tempi changes.

    In theory, competitive dressage should follow the same principles as classical dressage.

    However, there has been criticism by some riders for the trend at all levels for “quick fixes” and incorrect training that makes the horse appear correct, but that is in fact neglecting the basics.

    Classical riders criticize such training methods on the grounds that they are biomechanically incompatible with correct movement, are painful to the horse, and cause long-term physical damage.

    These short-cuts usually catch up to the rider as they move up the levels and need to be correct to perform certain movements.

    While these modern methods, such as the highly controversial rollkur technique, produce winning animals, classical dressage riders argue that such training is theoretically incorrect and even abusive. It is also believed by some that competitive dressage does not always reward the most correctly trained horse and rider, especially at the lower levels.

    For example, some riders who consider themselves to be training classically would not ask their horse to hold his head near-vertical when he first began training, and this would be penalized at the lower levels of competitive dressage, marked down because the horse is not considered to be correctly on the bit.

    Other riders, who also would consider themselves classically trained, would disagree, saying that if a horse is not ready to travel in a correct outline (on the bit) he is not ready for competition, and this is the reason such horses would be marked down.

    The purest form of classical riding, as well as dressage, High School dressage, of Haute Ecole, takes years for both the horse and rider to master.

    When a horse is advanced in its training, it can perform not only Grand Prix dressage movements such as collected and extended gaits, passage and piaffe, but some can also perform certain “Airs Above the Ground,” although usually a horse will only be trained in one air, and only if they are particularly able. Dressage From Wikipedia, the free encyclopedia DRESSAGE (pronounced /ˈdrɛsɑːʒ/ or /drɨˈsɑːʒ/) (a French term, most commonly translated to mean “training”) is a competitive equestrian sport, defined by the International Equestrian Federation as “the highest expression of horse training.” Competitions are held at all levels from amateur to the World Equestrian Games.

    Its fundamental purpose is to develop, through standardized progressive training methods, a horse’s natural athletic ability and willingness to perform, thereby maximizing its potential as a riding horse.

    At the peak of a dressage horse’s gymnastic development, the horse will respond smoothly to a skilled rider’s minimal aids.

    The rider will be relaxed and appear effort-free while the horse willingly performs the requested movement.

    Dressage is occasionally referred to as “Horse Ballet”.

    Although the discipline has ancient roots, in Europe, dressage was first recognized as an important equestrian pursuit during the Renaissance.

    The great European riding masters of that period developed a sequential training system that has changed little since then.

    Classical dressage is still considered the basis of modern dressage.

    Early European aristocrats displayed their horses’ training in equestrian pageants[citation needed], but in modern dressage competition, successful training at the various levels is demonstrated through the performance of “tests”, prescribed series of movements ridden within a standard arena.

    Judges evaluate each movement on the basis of an objective standard appropriate to the level of the test and assign each movement a score from zero to ten – zero being “not executed” An upper-level dressage competitor and 10 being “excellent”.

    A score of 9 is very good and is a high mark, while a competitor performing an extended trot achieving all 6s (or 60% overall) should be considering moving on to the next level.

    DRESSAGE HORSES All riding horses can benefit from use of dressage principles and training techniques.

    However, horse breeds most often seen at the Olympics and other international FEI competitions are in the warmblood category.

    Dressage is an egalitarian competition in which all breeds are given an opportunity to compete successfully [citation needed].

    Therefore, many other breeds are seen at various levels of competition.

    In non-competitive performances of classical dressage that involve the “Airs above the ground” (described below), the “Baroque” breeds of horses, most notably the Lipizzaner, are seen most often. THE ARENA There are two sizes of arenas: small and standard.

    Each has letters assigned to positions around the arena for dressage tests to specify where movements are to be performed.

    The small arena is 20 m by 40 m (66×131 ft), and is used for the lower levels of eventing in the dressage phase, as well as for the USDF Introductory tests and the USEF Training Level tests.

    Its letters around the outside edge, starting from the point of entry and moving clockwise, are A-K-E-H-C-MB-F.

    A number of mnemonic devices are used to remember this sequence, such as the phrase “All King Edwards’ Horses Can Make Big Fences.” Letters also mark locations in the middle of the arena: Moving down the center line, they are D-X-G, with X in the center.

    Since the combination of Equine Canada (EC) and United States Dressage Federation (USDF) tests in 2003, the small size arena is no longer utilized in rated shows in North America. Standard dressage arena, 20 m by 60 m (66×197 ft). The standard arena is 20 m by 60 m (66×197 ft), and is used for tests in both dressage (USEF First Level and above) and eventing.

    The standard dressage arena letters are A-K-V-E-S-H-C-M-R-B-P-F. (There is speculation as to why these letters were chosen.

    Most commonly it is believed because the German cavalry had a 20 x 60 meter area in between the barracks which had the letters posted above the doors) The letters on the long sides of the arena, nearest the corners, are 6 m (19.7 ft) in from the corners, and are 12 m (39.4 ft) apart from each other.

    The letters in the middle of the arena are D-L-X-I-G, with X marking the centre line.

    At the start of the test, the horse enters at A.

    There is always a judge sitting at C, although for upper-level competition, there are up to five judges at different places around the arena—at C, E, B, M, and H—which allows the horse to be seen in each movement from all angles.

    This helps prevent certain faults from going unnoticed, which may be difficult for a judge to see from only one area of the arena.

    For example, the horse’s straightness going across the diagonal may be assessed by judges at M and H.

    Judges in the United States are licensed by the USEF for different levels of competition, depending on the judge’s experience and training.

    The dressage arena also has a centre line (from A to C, going through X in the middle), as well as two quarter-lines (halfway between the centerline and long sides of each arena). COMPETITION Dressage competitions may begin in local communities with introductory level classes where riders need only walk and trot.

    Horses and riders advance through a graduated series of Nationally defined levels, with tests of increasing difficulty at each level.

    The most accomplished horse and rider teams perform the FEI tests, written by an international committee called the Fédération Équestre Internationale or FEI.

    The highest level of modern competition is at the Grand Prix level.

    This is the level test ridden in the prestigious international competitions, such as the Olympic games.

    Dressage at the international level under the rules of the FEI (Federation Equestre Internationale) consists of the following levels: Prix St.

    Georges, Intermediare I, Intermediare II and Grand Prix.

    In addition, there are four to six lower levels, occasionally more, regulated in individual nations.

    The lower levels ask horses for basic gaits, relatively large circles, and a lower level of collection than the international levels.

    Lateral movements are not required in the earliest levels, and movements such as the leg yield, shoulder-in,or haunches-in are gradually introduced as the horse progresses.

    Apart from competition, there is a tradition of classical dressage, in which the tradition of dressage is pursued as an art form.

    The traditions of the masters who originated Dressage are kept alive by the Spanish Riding School in Vienna, Austria and the Cadre Noir in Saumur, France.

    This type of schooling is also a part of Portuguese and Spanish bullfighting exhibitions. TESTS — STRAIGHTNESS (GERADERICHTUNG) A horse is straight when the hind legs follow the path of the front legs, on both straight lines and on bending lines, and the body follows the line of travel.

    Straightness allows the horse to channel its impulsion directly toward its centre of balance, and allows the rider’s hand aids to have a connection to the hind end. COLLECTION (VERSAMMLUNG) At the apex of the training scale stands collection.

    It may refer to collected gaits: they can be used occasionally to supplement less vigorous work.

    It involves difficult movements (such as flying changes) in more advanced horses.

    Collection requires greater muscular strength, so must be advanced upon slowly.

    When in a collected gait, the stride length should shorten, and the stride should increase in energy and activity.

    When a horse collects, more weight moves to the hindquarters.

    Collection is natural for horses and is often seen during pasture play.

    A collected horse is able to move more freely.

    The joints of the hind limbs have greater flexion, allowing the horse to lower the hindquarters, bringing the hind legs further under the body, and lighten and lift the forehand.

    In essence, collection is the horse’s ability to move its centre of gravity to the rear. AIRS” ABOVE THE GROUND The “school jumps,” or “airs above the ground” are a series of higher-level classical dressage movements where the horse leaves the ground.

    These include the capriole, courbette, the mezair, the croupade, and levade.

    None are used in modern competitive dressage, but are performed by horses of various riding academies, including the Spanish Riding School in Vienna and the Cadre Noir in Saumur.

    Baroque horse breeds such as the Andalusian, Lusitano and Lipizzan are most often trained to perform the “airs” today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements.

    There is a popular belief that these moves were originally taught to horses for military purposes, and indeed both the Spanish Riding School and the Cadre Noir are military foundations.

    However, while agility was necessary on the battlefield, most of the airs as performed today would have actually exposed horses’ vulnerable underbellies to the weapons of foot soldiers.[7] It is therefore more likely that the airs were exercises to develop the agility, responsiveness and physiology of the military horse and rider, rather than to be employed in combat.

    Dressage masters See also: Classical dressage The earliest practitioner who wrote treatises that survive today that describe sympathetic and systematic training of the horse was the Greek general Xenophon (427–355 BC).

    Despite living over 2000 years ago, his ideas are still widely praised.

    Beginning in the Renaissance a number of early modern trainers began to write on the topic of horse training, each expanding upon the work of their predecessors, including Federico Grisone (mid-16th century), Antoine de Pluvinel (1555–1620), William Cavendish, 1st Duke of Newcastle (1592–1676), François Robichon de La Guérinière (1688–1751), François Baucher (1796–1873), and Gustav Steinbrecht (1808–1885).

    The 20th century saw an increase in writing and teaching about Dressage training and techniques as the discipline became an international sport with the influence of Olympic Equestrian competition TACK All dressage competitors in the USA are urged to consult the current rules for tack, equipment, etc., provided at www.USEF.org The rules on permitted cavessons (nosebands) saddles, saddle pads, etc., are subject to change and do change as more and more styles and stylish equipments are introduced into the marketplace.

    Dressage horses are shown in minimal tack.

    They are not permitted to wear boots (including hoof or bell boots) or wraps (including tail bandages) during the test, nor are they allowed to wear martingales or training devices such as draw or running reins or the gogue anywhere on the showgrounds during the competition.

    Due to the formality of dressage, tack is usually black leather, although dark brown is seen from time to time.

    An English-style saddle is required for riding dressage, specifically a “dressage saddle” which is modeled exclusively for the discipline.

    It is designed with a long and straight saddle flap, mirroring the leg of the A dressage saddle dressage rider, which is long with a slight bend in the knee, a deep seat and usually a pronounced knee block.

    Dressage saddles have longer girth straps and use shorter girth than other types of English saddles to minimize the straps and buckles underneath the rider’s legs.

    The saddle is usually placed over a square, white saddle pad.

    Coloured trim on the white saddle pad is permitted.] A dressage saddle is required in FEI classes, although any simple English-type saddle may be used at the lower levels.

    At the lower levels of dressage, a bridle includes a plain cavesson, drop noseband, or flash noseband.

    Currently, drop nosebands are relatively uncommon, with the flash more common.

    At the upper levels a plain cavesson is used on a double bridle.

    Figure-eight (also called Grackle) nosebands are not allowed in pure dressage, however they are allowed in the dressage phase of eventing.

    Riders are not allowed to use Kineton nosebands, due to their severity.

    Beads and coloured trim are permitted along the brow band of the bridle The dressage horse at lower levels is only permitted to be shown at recognized competitions in a snaffle bit, though the detail regarding bitting varies slightly from organization to organization.

    The loose-ring snaffle with a single- or double-joint is most commonly seen.

    Harsher snaffle bits, such as twisted wire, corkscrews, slow-twists, and waterfords are not permitted, nor are pelhams, kimberwickes, or gag bits.

    Upper level and FEI dressage horses are shown in a double bridle, using both a bradoon and a curb bit with a smooth curb chain. TURNOUT OF THE HORSE Dressage horses are turned out to a very high standard, as competitive dressage is descended from royal presentations in Europe.

    It is traditional for horses to have their mane braided.

    In eventing, the mane is always braided on the right.

    In competitive dressage, however, it is occasionally braided on the left, should it naturally fall there.

    Braids vary in size depending on the conformation of the horse, but Europeans tend to put in fewer, larger braids, while horses in the United States usually have more braids per horse (possibly from the influence of hunter-style riding in the country).

    Braids are occasionally accented in white tape, which also helps them stay in throughout the day.

    The forelock may be left un-braided; this style is most commonly seen on stallions. Horses are not permitted to have bangles, ribbons, or other decorations in their mane or tail.

    Tail extensions are permitted in some countries, but not in international competition.

    The tail is usually not braided (although it is permitted), because it may cause the horse to carry the tail stiffly.

    Because the tail is an extension of the animal’s spine, a supple tail is desirable as it shows that the horse is supple through its back.

    The tail should be “banged,” or cut straight across (usually above the fetlocks but below the hocks when held at the point where the horse naturally carries it).

    The dock is pulled or trimmed to shape it and give the horse a cleaner appearance.

    The bridle path is clipped or pulled, usually only 1–2 inches.

    The animal’s coat may or may not be trimmed.

    American stables almost always trim the muzzle, face, ears, and legs, while European stables do not have such a strict tradition, and may leave different parts untrimmed.

    Hoof polish is usually applied before the horse enters the arena.

    The horse is impeccably clean, with a bathed coat and sparkling white markings.

    The horse’s saliva often forms “foam” about the horse’s lips, and is generally considered to be a sign of the horse’s submission and acceptance of the bit.

    Some riders believe that foam should not be cleaned off the horse’s mouth before entering the arena due to its status as a sign of submission.

    Conversely, some riders choose the wipe the foam from their horse’s mouth prior to entering the arena, as it can drip from the horses mouth and land on the horse’s chest and legs.

    It should be Correct dressage turnout, with braided noted that the presence of foam does not necessarily indicate the horse’s acceptance mane, banged and pulled tail, trimmed of the bit, as certain metals such as German silver may cause the horse’s salivation to legs and polished hooves.

    Upper level increase without full acceptance of the bit.

    Riders wear a shad belly and top hat, Quarter marks are sometimes seen, especially in the dressage phase of eventing, with white gloves and breeches, tall however they are not currently in style for competitive dressage.

    Boots, and spurs. RIDER CLOTHING Dressage riders, like their horses, are dressed for formality.

    In competition, they wear white breeches, often full-seat leather to help them “stick” in the saddle, with a belt, and a white shirt and stock tie with a small pin.

    Gloves are usually white, although less-experienced riders or those at the lower levels often opt for black, as white gloves tend to accentuate the movement of a less-experienced rider’s unsteady hands.

    The coat worn is usually solid black with metal buttons, although solid navy is also seen.

    Dressage coats differ from traditional hunt coats in that dressage coats have four buttons, while hunt coats have three.

    In upper-level classes, the riders wear a shadbelly with a yellow vest or vest points instead of a plain dressage coat.

    Riders usually wear tall dress boots, although field boots may be worn by riders at the lower levels.

    Spurs are required at the upper levels, and riders must maintain a steady lower leg for proper use.

    A whip may be carried in any competition except in a CDI or a national championship, and the length is regulated.

    Whips are not permitted in eventing dressage.

    If the dressage rider has long hair, it is typically worn in a bun with a hair net or show bow.

    A hair net blends in with the rider’s hair colour, whereas a show bow combines a barrette or hair tie with a small bow and thick hair net, and is usually black.

    Lower-level riders may use a derby, hunting cap, or ASTM/SEI-approved Equestrian helmet.

    In the United States, junior riders at recognized competitions are required to wear an ASTM/SEI approved helmet to protect against head trauma in the event of a fall.

    At the upper levels, a top hat that matches the rider’s coat is traditionally worn, though in some competitions, an ASTM/SEI approved helmet is show legal.

    If the rider is a member of the police or military, they are permitted to wear their respective uniform during competition.

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    Miniature Horses Turn Heads and Win Hearts At The FEI World Equestrian Games On September 25th, 2010, the curtain rose on the largest gathering of equine talent to simultaneously converge in one place since the 2006 World Equestrian Games in Germany.

    The world’s top horses and athletes’ from around the world met at the incomparable Kentucky Horse Park in Lexington, Kentucky.

    This was the first time, in the Games history, to be held in the United States.

    Internationally renowned musical artists performed at the Opening Ceremonies and there was a “Global Trade Fair” that showcased exquisite artistry and merchandise.

    There was something for everyone.

    In another area of the Horse Park was the “Equine Village”.

    Here you could visit the Hall of Champions, the Horse Museum, the new ”Gift from the Desert (the art, history and culture of the Arabian Horse), the “Kid’s Corner” and the “Clinician’s Corral”.

    Some of the Clinicians that were there, were: Pat Parrelli, Clinton Anderson, John Lyons, Tommie Turvey, Double Dan Horsemanship, Guy Mclean, Diane Olds Rossi, and many more.

    The infield of the race track hosted several different team sports like Polocrosse and Horse ball.

    The biggest draw was the Equine Village Arena.

    Here talent from across the United States and around the world was showcased.

    There were horses of all descriptions and breeds, and many different disciplines.

    Just to name a few, there was Dressage, Jumping, Reining, Vaulting, Driving and Drill Teams (including our own Miniature Horse Driving Drill Team). On Monday, September 27th, the Arizona Mini Mystique started their journey from Phoenix, AZ to Lexington, KY and the World Equestrian Games.

    Six people (in 3 vehicles) transported 10 horses and all of our carts, equipment, and luggage for our 10 day stay.

    We stayed overnight in New Mexico, Oklahoma, Missouri, and finally just outside of Lexington where the horses would stay for the next couple of days for a well deserved rest.

    Not so for the six people who drove cross country.

    They were at it again on Friday morning.

    They had to do the shopping for our 10 day stay and then go to the farm house we rented to unload a 28’ cargo trailer.

    They moved luggage, sleeping bags, food, drink and everything else necessary for 15 people to live (away from home) for the next 10 days.

    Every room, every corner will be someone’s bedroom.

    The remaining drivers and support personnel flew into Louisville Friday evening and joined us at the house.

    Saturday was a workday for everyone.

    It was a “Spa day” for all the horses.

    They all got washed, conditioned and manes and tails braided.

    They were ready for their 6:00 a.m.

    Arrival at the Kentucky Horse Park.

    Sunday morning, Oct.3rd, 2010, all the team members rolled into the Kentucky Horse Park.

    Our first stop was at the canine check station.

    Two dogs were standing by to search for drugs and explosives.

    The second stop was with the Kentucky State Equine Veterinarian Inspection.

    Here, they wanted to check our paper work to see that we had satisfied all of the medical requirements for our 10 horses.

    They actually complimented us on being so organized! Next, the Vet came in the trailer and checked all 10 horses for clear eyes and overall condition.

    We were then escorted to our stalls.

    Before our performance that afternoon, we had to unload all the feed, hay, horse blankets, and buckets into one stall.

    We put all of our garment bags, drapes for our carts, harness boxes, hat boxes and munchies for the drivers in another stall.

    Then we had to put our two-wheeled carts back together.

    We also put up see-through panels on the stall doors so the minis could see out, and visitors could see in.

    Our basic uniform is black boots, black pants, a black or white shirt and a black western hat.

    To this we add vests or ponchos and we decorate the carts with matching drapes.

    We had five different costumes (red/white/blue, turquoise, silver, royal blue and red bandanas) and seven different types of music.

    We did 2 days of Patriotic, 1 day each of Big Band, Country Mix, Garth Brooks, ABBA, Disco and High School Musical. The Equine Village Arena was the center of Equestrian Entertainment.

    From 10:00 a.m.

    Until 5:30 p.m., every day, the arena was filled with beautiful horses doing Dressage, Show Jumping, Drill Teams, Vaulting, Trick Riding and Driving.

    Some of the horse breeds that were there (besides our American Miniature Horses) were: Arabians, Marwari Horses of India, Icelandic Horses, American Morgan Horses, Irish Draughts, Connemara Ponies, Cutting horses and Spotted Saddle Horses.

    One of the crowd pleasers was when the American Driving Association put on a shortened version of a “Darby”.

    Drivers drove their horses or ponies (single and pairs) through a course of hazards and cones.

    The fastest time won.

    The audiences loved it! We did too, because many of our Miniature Horse drivers compete in Darby’s, ADT’s and Combined Driving events.

    This was to be our world for the next 8 days.

    Sunday afternoon, at 3:00 p.m., the Arizona Mini Mystique started their journey into the world of excellence and performance, featuring the highest level of equestrian sport and entertainment the world has seen in the last four years.

    After a year of planning, practicing, fund raisers and yard sales, we were ready to showcase what Miniature Horses could do.

    Our first performance—the announcer read our script and turned our music on.

    Our “Minis” were dancing in place.

    They knew what was coming.

    They all felt the excitement! We rolled into the Arena with the two front horses carrying American (or Arizona) flags.

    Eight drivers behind them in a perfect V (or Delta).

    Each day we did 10 minutes of very precise Marine Corp style close order drills, choreographed to different styles of music.

    After our pass through, a do-si-do, a pairs crossing, some interlocking circles, spins, a suicide pass and a pinwheel, we formed back up in our “Delta” and then one last pass in front of a screaming audience.

    Then we lined up in front of the audience so they could come down for a “Meet and Greet”.

    People were always amazed at what they had just seen!.

    They had lots of questions and LOVED petting the “Minis”.

    We performed everyday for eight days, using different music and costumes each day.

    Our “Minis” captured the hearts of the audience—every time! One of the other venues in the Equine Village was the “Kids Corner”.

    There was a lot of great things going on in this area.

    Mollie, the pony (with the prosthetic leg) that was rescued from Katrina, was there.

    Breyer had set up small jumps ( looked just like the “big” jumps) that kids could jump over.

    There was a mechanical cutting horse that you could ride and “work” a mechanical cow.

    There was also a section of straw bales set in a “ring” for all the different horse breeds to do a “Meet and Greet” in the Kid’s Corner.

    The Miniature Horses were (as usual) a HUGE attraction.

    It would take up to a half an hour to get the horses from the barn to the Kid’s Corner.

    This was only a five minute walk, but when you stop for “photo opts” for crowds of people, and then work your way over to the “Meet and Greet”, it took closer to 30 minutes or more.

    Of course everyone followed the horses to the small ring.

    There are hundreds and hundreds of pictures of children with Miniature Horses circulating around the country.

    We talked to people from all over the country.

    We even had a carded American Miniature Horse Association Judge that had just returned from judging in the Netherlands, that commented on what a nice representation of “minis” we had.

    People were always commenting on how sweet, gentle and well behaved they were.

    They said “They bring a smile to your face”! Kids pet the horses and adults asked questions about them for a full 30 minutes every day.

    We really enjoyed sharing these wonderful horses with their adoring fans.! On the last day of the Alltech FEI World Equestrian Games, which was 10/10/10, the Equine Village staged a “Final Farewell Performance”.

    As stated in their flier it was a “2 hour finale featuring the best equestrian entertainers from around the world”.

    Performers were: Tommie Turvey, Guy Mclean, Double Dan Horsemanship, Erik Martonovich, Ramon Becerra, Mario Contreras, Diane Olds Rossi, Lizzy Traband, J.P.

    Giacomini, American Vaulting Association, Arabian Nights, Marwari Horses Of India, Gudmar Petursson’s Icelandic Horses, American Morgan Horse Association, Irish Draught Horse Society Of N.A., The American Connemara Pony Society, The Arizona Mini Mystique (that’s us!!), Spotted Saddle Horse Association, National Cutting Horse Association, John Lyons, Lynn Palm, California Cowgirls, Easy Riders Drill Team, and the Wells Fargo Stage Coach.

    The Equine Village Finale flier stated: A PERFORMANCE OF THIS CALIBER MAY NEVER BE SEEN AGAIN!! We were so honored to be a part of this spectacular.

    It is something we will never forget.

    We enjoyed sharing our experiences with Miniature Horses and explaining that even though you can’t ride them, what great companions and endless possibilities you have in owning a Miniature Horse.

    From loving companions (as pets) to competitive show horses in the ring, to very versatile competitive driving competitions— Miniature Horses truly are for everyone! So many people were in awe of their gentleness, intelligence, beauty and their versatility.

    There were a lot of people wanting to know where they could purchase a Miniature Horse.

    People that already owned a Miniature Horse were inspired to start driving.

    After each Performance and at the “Kids Corner” , the Arizona Mini Mystique (drivers and horses) did their thing in “Selling an interest in the American Miniature Horse”.

    On Monday morning, Oct. 11, 2010, the team packed up their carts, equipment, feed, costumes, loaded the horses and started their journey back home to Phoenix Arizona.

    The horses were very excited to get back in their trailer and go HOME!! This entire, incredible journey, could not have happened if it had not been for the commitment our team members, our incomparable horses and the friends and family that helped us throughout this entire journey.

    We did our best to show off this incredible breed.

    Read more about Draught Horse : Giacomini American Vaulting Association Arabian Nights Marwari Horses Of India….:

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    Children’s Pony U/S 525

    Equestrian Concierge Conditioner - Cleaning and show preparation - For the Horse Horses-store.com Children’s Pony U/S 525

    412.

    Short/Long Classic 513.

    Schooling Hunter Classic 2’6” or 3’ 413.

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    Beginner Hunter Equitation 2’ 516.

    Child/Adult Hunter 3’ 416.

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    Beginner Hunter Equitation U/S 519,520.

    M&S Child/Adult Classic 419.

    Beginner Hunter U/S 521,522.

    M&S Child/Adult Medal 420.

    Children’s Pony SM-MED 2’ LG 2’6” 523.

    Central Equine Junior Medal 3’6” 421.

    Children’s Pony SM-MED 2’ LG 2’6” 524.

    Low Jumpers 2’-2’3” Table 2 IIb 422.

    Children’s Pony U/S 525.

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    M&S $100.

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    M&S Children’s Pony Medal 527.

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    Pre Green Hunters 2’3” 528.

    Intermediate Jumpers 2’6-2’9 Table III 426.

    Pre Green Hunters 2’3” 529.

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    Pre Green Classic 2’3” 530.

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    Pre Green Hunters U/S 531.

    High Jumpers 3’-3’3 Table III 532.

    High Jumpers Classic 3’-3’3 Table III 533.

    M&S Child/Adult Jumper Classic If you ride in M&S Classes you must enter 2 division classes. Rules and Regulations All horses and rider are required to register in show office.

    An open check is required prior to an entry number being issued.

    No horse or rider is allowed to school without a back number. All horses are encouraged to have a stall.

    One animal per stall.

    Shippins are required to pre register.

    Read more about Children’s Pony U/S 525:

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    • 5/17/13 PAGE 2 of 11 in our conversation, racing is not going to out casino a casino, and standardbred racing is not going to out Thoroughbred Thoroughbred racing either.

    Sameness is what it is, and you can’t run away from it.

    But that doesn’t mean one cannot add value to a tote board, or embrace the sameness angle as an advantage, not a detriment.

    Value can be added to a field by increasing its contentiousness, like the Meadowlands is doing with their ABC classification system.

    For end of series events, like the Levy at Yonkers, trying new things like handicapping the start can be a means to an end to up tote board value and eliminate a post bias.

    Like Seth and I spoke about this week on his very good Capital OTB Television show, bets can be created that add value, like a V75.

    Seeded pools also create value.

    In addition, where in Thoroughbred racing one might physically handicap by visiting a paddock and looking for a horse walking short, then following him to the post parade and watching him there, harness provides an inescapable interesting avenue that these players would love: W arm ups and score downs.

    The off-past performance betting advantage of those two elements makes going to the track not an experience where we need face painting for the kids to draw a crowd, but one where we as players can make money through a tremendous gambling edge.

    Harness is a different game filled with ‘sameness’ yes, and it is a part of the core of this sport.

    It should not change, but it can be modified by embracing the elements of added value. (continued on next page) “Handicapping Literature, Data & Software” Newer players like Mike Dorr, and seasoned veterans like Norm from the Knight Sky Racing Blog both mentioned the lack of availability of harness racing handicapping literature.

    Jerod Dinkin specifically wrote: “I don’t recall coming across a single harness racing book of note.

    It’s very possible they are out there (although I suspect not in great numbers), but I only read the Quinn, Quirin, Davidowitz, Beyer, Ainslie, Sartin, and Brohamer types and they weren’t talking harness.

    As such, I don’t know the first thing about handicapping harness.” Charlie Davis and Jeff Platt mentioned the lack of availability of data and racing software that can be used to gain an edge.

    From Charlie Davis: “The main reason I don’t play harness to a large extent is because I can’t get past data into a database in a reasonably priced manner.

    I would pay a few thousand bucks to have a database of the past few years, but I can’t even find that.

    If I want to do that for Thoroughbreds, I have many choices of software that does more than just provide a database.

    I’m not going to bet if I don’t have a positive expectation, and I can’t find out if I have a positive expectation without a database of historic information.” I don’t think you or I know one serious bettor who has not read, or does not read what they can get their hands on when it comes to handicapping literature.

    W hen we do read of a new angle, or handicapping method we immediately want to try it and doggedly want to make it work, tweak it, or modify it.

    Sometimes the easiest way to do that is with a database of back data.

    In harness racing these avenues are simply not there.

    Currently the narrative regarding that is ‘we cannot create these products because there are not enough people wanting them’.

    But is it the chicken or the egg? Perhaps some supply side economics is needed: Create these products and then sell them.

    Give potential players who want to learn the sport the tools needed to learn it, and let’s see if they stick with it.

    It’s not like other businesses don’t do this.

    Blackberry pays developers hundreds of thousands of dollars to build native apps for their platform, so they can sell their phones.

    Harness racing needs to invest, so it can sell the sport.

    It takes funding and a requisite leap of faith. “Value and Sameness” Seth Merrow and Jeff Platt spoke eloquently about the intricacies of handicapping Thoroughbreds with surface changes, breeding, stretch-outs, turnbacks and breeding.

    It’s a big kettle of fish.

    Standardbred racing, as we all know, is “standard” at a mile.

    This makes the handicapping puzzle less complex, and for searchers of value on the tote board, much more Thoroughbred bettor Seth difficult.

    M errow doesn’t like the Like Mike Maloney noted “sameness” of harness racing HarnessRacingUpdate.com • 5/17/13 PAGE 3 of 11 skills or the lack of.

    That’s not always done consistently with harness drivers.

    Drivers control the game.

    That along with racing luck, getting shuffled back or trotters breaking stride and causing interference is not the kind of chance I want to take.” Thoroughbred racing outcomes are dependent on race shape and running styles.

    A sprint with four “early or ‘E’” horses with 6 or 7 or 8 Quirin speed points allows one to handicap to it, and the result will be formful. “E” horses have to go hard, and rarely does the jockey have a choice on where he or she will be at the quarter pole.

    In harness racing a driver can strangle a 3-2 shot to last, and not try a lick.

    He or she can sit in with a four to five shot to “school the horse to race off a helmet”.

    These things are infuriating to customers and we can count on a thousand fingers how many people have left betting the sport of harness racing because of them.

    As a trainer or driver of a favorite or well bet horse, it is incumbent upon you to try; to give that person slugging away at a $14 an hour job who takes time out of his or her day to bet $20 on you a fair shot.

    Harness racing will never ‘fix’ being boxed, or breaking trotters, because much of that is a part of the sport and beyond anyone’s control.

    But there are things that can be fixed that are in control.

    Being more respectful to customers’ hard-earned money is one of them. (continued on next page) “Pool Size” Norm, Alan Mann and a couple other respondents mentioned the tote, and pool size.

    Their points were bang-on.

    A ten to one shot at three minutes to post who ends up at 5-2 is not compelling.

    Betting a $20 exacta and knocking the payoff down to $18 from $30 is not either.

    Harness racing needs to worry about pool size and it needs to take it seriously.

    The USTA, through the fine work of two players, Chris Schick of Cal-Expo and Seth Rosenfeld (a sharp gambler and breeder), have pushed the Strategic W agering Initiative, where pools are guaranteed for various wagers.

    I would estimate this one change has helped harness racing handles the past two years more than any other.

    Harness needs to do more of it, they need to fund it and it needs to be promoted with verve. “Respect for Gamblers Hard-Earned Money” Norm from the Knight Sky Blog spoke about the control that trainers and drivers have in a race outcome.

    Norm wrote: “Handicappers say standardbred form is more stable.

    That may be true but that is often negated by questionable driving strategy.

    Some leave, some go first over, other drivers sit chilly when they shouldn’t.

    W ith the thoroughbreds I think I can handicap and know exactly where my horse should be placed on the track (at least in the opening stages) and that’s why I often comment on riding HarnessRacingUpdate.com • 5/17/13 PAGE 4 of 11 “The Hodge Podge” A few of the players said something obvious and it is something we all face in 2013 life: A lack of time to do what we need to do.

    On a Saturday afternoon there may be thirty thoroughbred tracks going off along with some harness tracks, too.

    It’s very difficult for harness to get its product in front of willing bettors.

    Better scheduling of the events and timing of off times should be explored.

    Seth Merrow quizzically asked “why do harness saddlecloths differ from Thoroughbred’s and why can’t they be the same?” Funnily enough I wrote this exact same thing in an article years ago.

    I could never understand why a sport which is attracting near the same clientele would be so different.

    I received an email from Moira Fanning not long after the article telling me that “harness was first, and the Thoroughbreds were the ones who changed.” I did not know that.

    It does beg the question: W hy not change as Seth asked? Harness Shouldn’t saddle cloth colors be the same in racing probably should.

    It makes the simulcast experience easier for both breeds? customers who are not looking at harness racing.

    If you are trying to land a new market, the easiest way to turn them off is to confuse them.

    Conclusion Harness racing is harness racing.

    It is not Thoroughbred racing and never will be, nor should it be.

    However, trying to attract new bettors from a $12B betting game who are already pre-qualified to be interested in you, or who have bet and watched the sport before, is an important market.

    Trying to gain some of that market share should certainly be a priority.

    As well, many of the Thoroughbred patrons comments, concerns, and criticisms echo the ones from former harness players who’ve long left the sport for other games or vocations.

    Fixing a few of the above issues not only attacks a Thoroughbred market, it helps bring people back to harness racing.

    I enjoyed talking with my friends in Thoroughbred racing and I thank them for taking time out of their day to help.

    W e all share a common bond: A love for the horse, a love for the majesty of the sport, and a love for the unique, sometimes infuriating, but never boring game of handicapping.

    I sincerely hope you enjoyed reading their answers as much as I did. Who Says Harness Racing Doesn’t Have Good Handicapping Data? By David Siegel A recent Harness Racing Update (HRU) column addressed some of the differences between thoroughbred and harness racing as it pertained to handicapping and fan interest.

    One of the differences mentioned was that of data availability.

    Since HRU is dedicated to the promotion of our great sport, I thought I would appoint myself industry guru on harness data and do my best to inform HRU readers about the wealth of data that is available, as there is much more available than one might think.

    Let me begin by telling you that I am a USTA Director and am the President of TrackMaster.

    TrackMaster serves the handicapping needs of both the Standardbred and Thoroughbred markets.

    In addition, TrackMaster is a wholly-owned subsidiary of Equibase, the thoroughbred’s official database for racing information.

    TrackMaster then is an industry-owned company so we have a vested interest in balancing the needs of the industry against our motivation for making money.

    I also own Standardbreds that I race and two retired ones that I religiously ride.

    I also drive in a few hundred races every year.

    So, with all of that on the table, I think I am pretty well qualified to speak on this topic.

    One of the USTA’s primary missions is the collection of breeding and racing data.

    I will limit my comments here to the racing side of things.

    The Harness Racing Update is distributed each and every day on the grounds of the Lexington, Harrisburg and the January Select Mixed Sale. Missed an Edition of the HRU? Check out our archive at w w w .harnessracingupdate.com — HarnessRacingUpdate.com • 5/17/13 PAGE 9 of 11 13, Phl, $61,868, Pace, Pennsylvania Sire Stakes 3 Year Old Fillies, 27.3, 56.1, 1:23.4, 1:51.4, FT Charisma Hanover (f, 3, Dragon Again–Caught The Bouquet, by Jate Lobell), $15,000 2011 SHS-HBG O-Burke Racing Stable LLC & W eaver Bruscemi LLC.

    B-Hanover Shoe Farms Inc.

    T-Ron Burke.

    D-Yannick Gingras, $30,934, Lifetime Record: 12-7-2-0, $134,336 2-Sweet Lady Jane (f, 3, Somebeachsomewhere–Sweet Future, by Falcons Future) O/B-Birnam Wood Farms.

    T-Larry Remmen.

    D-John Campbell, $15,467 3-Handsoffmycupcake (f, 3, Christian Cullen–Love You Forty, by Artsplace), $20,000 2011 LEX-SEL O-Jfe Enterprise LLC.

    B-W inbak Farm.

    T-Scott Di Domenico.

    D-Daniel Dube, $7,424 Calls: 1Q, 1T, 1H, T, 1Q – Finish Order: Miss Madi M, Mattie Terror Girl, Real Comfort, Want Answers To view replay click here Harrah’s Philadelphia (Race 13): In the final division of the night, Real Comfort (Stacy Chiodo) and W ant Answers dropped immediately to the back of the field and while Handsoffmycupcake (Daniel Dube) took the early lead, Charisma Hanover (Yannick Gingras) relieved her of that lead at the start of the first turn.

    No leading post position changes until Miss Madi M finally made a move from the 3 hole just before the 3/4 pole (1:23.4) and part way through the final aturn looked to be challenging for the lead.

    It was Another case of too little too late as Miss Madi M dropped back to 4th in the field behind a winning Charisma Hanover (1:51.4), Sweet Lady Jane (John Campbell) and the 2012 Pennsylvania Sire Stakes champion Handsoffmycupcake. 9, Phl, $61,868, Pace, Pennsylvania Sire Stakes 3 Year Old Fillies, 27.2, 56.4, 1:24.3, 1:52.2, FT 1-Nikki Beach (f, 3, Somebeachsomewhere–Western Wisdom, by Western Hanover), $90,000 2011 LEX-SEL O-Brittany Farms.

    B-Perretti Farms.

    T-Tony Alagna.

    D-Ron Pierce, $30,934, Lifetime Record: 12-6-2-1, $292,233 2-Mistresstothestars (f, 3, Dragon Again–Sportsmistress, by Sportsmaster), $25,000 2011 SHS-HBG O-Burke Racing Stable LLC & W eaver Bruscemi LLC & Frank D Baldachino & The Panhellenic Stb Corp.

    B-Concord Stud Farm LLC & Birnam W ood Farms.

    T-Ron Burke.

    D-Yannick Gingras, $15,467 3-Woman Of Terror (f, 3, W estern Terror–W oman Rebels, by Art Major), $25,000 2011 LEX-SELO-Steve M Elliott.

    B-Bulletproof Enterprises.

    T-Steve Elliott.

    D-Tim Tetrick, $7,424 Calls: 2T, 1T, 1H, T, 1H-Finish Order: Exotic Beach, Whetstone Hanover, Somstreetsomwhere, Real Leggy To view replay click here Harrah’s Philadelphia (Race 9): Mistresstothestars (Yannick Gingras) took a smooth lead off the gate, the battle for 2nd finally went to Somestreetsomewhere (David Miller) as they passed the 1/4 pole (:27.2) followed by Nikki Beach (Ron Pierce) in 3rd.coming out of the turn Nikki Beach swung out wide from the three hole taking an easy lead before the mid-point of the stretch.

    Somestreetsomewhere started putting some pressure on the leader going into the last turn but coming out of the turn lost her focus falling back in the field, Nikki Beach took the win (1:52.2), followed by Mistresstothestars and W oman Of Terror (Tim Tetrick). 11, Phl, $30,000, Trot, Winners over $25,000 Lifetime Handicap Post 1-5 Assigned Post 6-7 Draw, 27.4, 58.0, 1:25.4, 1:53.3, FT 1-Uncle Peter (h, 4, Cantab Hall–Victory Treasure, by Enjoy Lavec), $60,000 2010 LEX-SEL O-Christina Takter & Brixton Medical Ab, SD & John And Jim Fielding, CA & Goran C Falk.

    B-Johanna M Beaver & Michael L Carter & Mary A Mc Loughlin & Sigmund W olkomir.

    T-Jimmy Takter.

    D-David Miller, $15,000, Lifetime Record: 22-9-7-1, $695,154 2-And Heez Perfect (g, 7, Andover Hall–Perfect Patty, by Perfect Spiral) O/B-Mitchell K W alker.

    T-Robert Baggitt Jr.

    D-Tim Tetrick, $7,500 3-He’s Spooky (h, 6, Cantab Hall–Yankee Topaz, by Lindy Lane), $110,000 2008 SHS-HBG O-Rojan Stables & L.

    A.

    Express Stable LLC & Allen H Kaplan & Howard A Taylor.

    B-Hanover Shoe Farms Inc.

    T-Michael Hall.

    D-Eric Carlson, $3,600 Calls: 3H, 2, T, NS, 1H – Finish Order: W aiting On A Woman, Likeabatoutahell, Major Herbie, Broadway Rocks To view replay click here Wednesday’s Results: 1, Mea, $20,000, Trot, ****PA SIRE STALLION SERIES**** 3 YEAR OLD FILLY TROT 1ST OF 5 DIVISIONS, 28.4, 58.3, 1:28.1, 1:58.1, FT Mystical Touch (f, 3, Andover Hall–Mystical Topaz, by Donerail), $25,000 2011 LEX-SEL O-Acadia Farms Inc.

    B-James L Avritt Sr.

    T-Alfred Manke III.

    D-Aaron Merriman, $10,000, Lifetime Record: 9-3-0-1, $27,256 3, Mea, $20,000, Trot, ****PA SIRE STALLION SERIES**** 3 YEAR OLD FILLY TROT 2ND OF 5 DIVISIONS, 29.1, 59.1, 1:28.4, 1:58.0, FT Gliding To Glory (f, 3, Glidemaster–Balance The Paige, by Balanced Image) O-Todd D & Bart M Brice.

    B-Trot A Lot Canada Inc, CA.

    T-Rich Gillock.

    D-Richard Stillings, $10,000, Lifetime Record: 10-4-1-2, $33,914 4, Mea, $20,000, Trot, ****PA SIRE STALLION SERIES**** 3 YEAR OLD FILLY TROT 3RD OF 5 DIVISIONS, 29.0, 59.1, 1:28.0, 1:58.0, FT HarnessRacingUpdate.com • 5/17/13 PAGE 10 of 11 10, YR, $21,000, Pace, CLAIMING ALLOW ANCE $30,000 3 YO 50%, 4 YO 25%, F&M 20%, 26.3, 55.1, 1:24.2, 1:54.0, FT Hemer’s Card Shark (g, 6, Cam’s Card Shark – Yeahyou’reright, by Artsplace) O-Joseph W Cosentino.

    B-John Krall.

    T-Dennis J Laterza.

    D-Matt Kakaley, $10,500, Lifetime Record: 71-13-9-8, $109,308 11, YR, $23,000, Pace, CLAIMING ALLOW ANCE $40,000 3 YO 50%, 4 YO 25%, F&M 20%, 27.0, 56.0, 1:24.4, 1:53.3, FT Boxcar (g, 4, Fox Valley Barzgar–Queen Of Mean, by In The Pocket) O-Maria A Bellino.

    B-Paul D Liles.

    T-Virgil Morgan Jr.

    D-George Brennan, $11,500, Lifetime Record: 42-17-9-6, $113,395 12, YR, $20,000, Pace, NON-W INNERS OF $8,000 IN LAST 6 STARTS W INNERS OVER $40,000 IN 2013 NOT ELIGIBLE., 27.3, 56.2, 1:24.3, 1:54.0, FT Four Starz Trace (g, 6, Western Hanover–Four Starzzzz Hope, by Cam’s Card Shark), $32,000 2008 SHS-HBG O-L T F Racing Stable & Ivan S Llopez.

    B-F S Starzzzz Stables Inc & Alan K Cohen.

    T-Ivan Llopez.

    D-Jason Bartlett, $10,000, Lifetime Record: 102-18-19-15, $531,842 Tuesday’s Results: 10, YR, $20,000, Pace, NON-W INNERS OF 4 P-M RACES OR $40,000 LIFETIME. 3&4 YEAR OLD COLTS, HORSES & GELDINGS, 27.2, 56.1, 1:24.2, 1:53.1, FT Mach It So (g, 3, Mach Three–Beach Dancer, by Beach Towel) O-Bamond Racing LLC.

    B-Enviro Stables LTD.

    T-Pj Fraley.

    D-Brian Sears, $10,000, Lifetime Record: 6-4-1-0, $51,960 11, YR, $25,000, Pace, NON-W INNERS OF 6 P-M RACES OR $60,000 LIFETIME. 3&4 YEAR OLD COLTS, HORSES & GELDINGS, 27.3, 56.3, 1:24.3, 1:53.3, FT Lastingart Hanover (g, 4, Real Artist–Lt’s Magic, by Magical Mike), $10,000 2010 NJ-CL O-David B Van W art & Thomas G Kayhart & Vip Internet Stable LLC.

    B-Hanover Shoe Farms Inc.

    T-Tom Fanning.

    D-Brian Sears, $12,500, Lifetime Record: 36-6-8-6, $94,414 Thursday’s Results: 6, YR, $21,000, Trot, CLAIMING ALLOW ANCE $30,000 3 YO 50%, 4 YO 25%, F&M 20%, 29.1, 59.3, 1:28.2, 1:57.0, FT Sarkozy (g, 7, Credit Winner–Excuse My French, by Donerail), $20,000 2007 SHS-HBG O-Chad Lennon & W illiam M Adamczyk.

    B-Phillip R Hunt.

    T-W illiam Adamczyk.

    D-Brian Sears, $10,500, Lifetime Record: 104-18-20-20, $279,004 To view replay click here Lindyofalifetime (f, 3, Cantab Hall–Enjoy Candy, by Enjoy Lavec), $35,000 2011 SHS-HBG O-Dunn Stable.

    B-K R Breeding LLC.

    T-W alter Dunn.

    D-Richard Stillings, $10,000, Lifetime Record: 16-7-2-1, $31,860 6, Mea, $20,000, Trot, ****PA SIRE STALLION SERIES**** 3 YEAR OLD FILLY TROT 4TH OF 5 DIVISIONS, 28.2, 58.4, 1:28.3, 1:57.4, FT Omnipotent (f, 3, Donato Hanover–All Knowing, by Muscles Yankee), $30,000 2011 SHS-HBG O-Edward W Andrews.

    B-Diamond Creek Farm LLC.

    T-Scott Andrews.

    D-Eric Ledford, $10,000, Lifetime Record: 11-3-0-4, $27,050 8, Mea, $20,000, Trot, ****PA SIRE STALLION SERIES**** 3 YEAR OLD FILLY TROT 5TH OF 5 DIVISIONS, 29.4, 1:00.0, 1:29.2, 1:58.3, FT Mckenzie’s Star (f, 3, Donato Hanover–Ultimate Star, by Muscles Yankee) O/B-Four J’s Stable LLC & Steve M Elliott.

    T-Steve Elliott.

    D-Mike W ilder, $10,000, Lifetime Record: 9-3-1-1, $25,300 Monday’s Results: 7, YR, $20,000, Pace, NON-W INNERS OF 4 P-M RACES OR $40,000 LIFETIME. 3&4 YEAR OLD FILLIES & MARES, 28.4, 59.0, 1:28.0, 1:57.2, FT Silk Pajamas (f, 3, Bettor’s Delight–Silksndiamonds, by Falcon Seelster), $56,000 2011 SHS-HBG O-Conrad E Zurich & Edwin J Gold & Purple Haze Stables LLC.

    B-Flintlock Farm Inc.

    T-Ron Burke.

    D-Matt Kakaley, $10,000, Lifetime Record: 13-3-3-1, $100,834 8, YR, $20,000, Pace, NON-W INNERS OF 4 P-M RACES OR $40,000 LIFETIME. 3&4 YEAR OLD FILLIES & MARES, 28.4, 58.2, 1:26.4, 1:55.0, FT Spend It All (f, 3, Tell All–Dream Card, by Dream Away), $5,000 2011 SHS-HBG O-Brooke A Givens & Steven Head.

    B-Robert B Burgess, CA & Karin B Olsson Burgess, CA.

    T-Les Givens.

    D-Jordan Stratton, $10,000, Lifetime Record: 11-5-0-0, $40,970 9, YR, $25,000, Pace, NON-W INNERS OF 6 P-M RACES OR $60,000 LIFETIME. 3&4 YEAR OLD FILLIES & MARES, 29.0, 59.0, 1:27.4, 1:56.3, FT Always Love Me (m, 4, Western Terror–Chrome Hearts, by Grinfromeartoear), $5,000 2010 SHS-HBG O-Darran F Cassar & W illiam P Rochetti Jr & David Lewis Linker.

    B-Perfect W orld Enterprises.

    T-Darran Cassar.

    D-George Brennan, $12,500, Lifetime Record: 36-6-9-5, $102,878 HarnessRacingUpdate.com • 5/17/13 PAGE 11 of 11 8, YR, $20,000, Trot, NON-W INNERS OF $8,000 IN LAST 6 STARTS W INNERS OVER $40,000 IN 2013 NOT ELIGIBLE.

    AE. 3&4 YEAR OLD NON-W INNERS OF 8 P-M RACES.

    W INNERS OVER $150,000 LIFETIME NOT ELIGIBLE., M, 28.0, 57.3, 1:27.1, 1:57.1, FT Mystical Escapade (m, 4, Valley Victor–Armbro Orbital, by Speedy Crown) O-Empowered Racing.

    B-Fox Valley Standardbreds & Nathan Patterson.

    T-Heidi Rohr.

    D-Jason Bartlett, $10,000, Lifetime Record: 31-7-7-5, $106,147 To view replay click here 10, YR, $24,000, Pace, F&M NON-W INNERS OF $12,000 IN LAST 6 STARTS W INNERS OVER $60,000 IN 2013 NOT ELIGIBLE., M, 27.2, 56.2, 1:25.2, 1:54.1, FT Can’t Stop Me Now (m, 4, Western Ideal–Ain’t No Stopn Me, by Big Towner) O-Thomas Ceraso Jr.

    B-Roll The Dice Stable.

    T-Jack Franklin.

    D-Matt Kakaley, $12,000, Lifetime Record: 42-10-6-5, $95,404 To view replay click here 11, YR, $20,000, Trot, NON-W INNERS OF $8,000 IN LAST 6 STARTS W INNERS OVER $40,000 IN 2013 NOT ELIGIBLE.

    AE. 3&4 YEAR OLD NON-W INNERS OF 8 P-M RACES.

    W INNERS OVER $150,000 LIFETIME NOT ELIGIBLE., 28.3, 58.3, 1:27.3, 1:57.0, FT Noble Warrawee (g, 4, Angus Hall–Warrawee Fourleaf, by King Conch), $57,000 2010 CAN-YS O-Adrian A W eeks.

    B-Warrawee Farm, CA.

    T-Michael Latham.

    D-Daniel Dube, $10,000, Lifetime Record: 40-8-4-5, $99,629 To view replay click here 12, YR, $20,000, Pace, F&M NON-W INNERS OF $8,000 IN LAST 6 STARTS WINNERS OVER $40,000 IN 2013 NOT ELIGIBLE.

    AE.

    OPTIONAL CLAIMING ALLOWANCE $20,000, 27.0, 56.2, 1:25.0, 1:54.1, FT Mojarra Hanover (m, 6, Cam’s Card Shark–Mystical Art, by Artsplace), $10,000 2008 NJ-CL O-Edward J Bloom.

    B-Hanover Shoe Farms Inc.

    T-Chris Scicluna.

    D-Mark Macdonald, $10,000, Lifetime Record: 95-13-16-13, $222,146 To view replay click here Missed an Edition of the HRU? Check out our archive at w w w .harnessracingupdate.com

    Read more about Four : A sprint with four early or E horses with 6….:

    Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra

    Other Sources:

  • Crazy Horse Memorial
  • Headstalls and Bridles – The Horse Saddle Shop
  • Equine.com: Horses for Sale | Horse Classifieds, Pictures, Horse …
  • Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra, Learn more about GIFT VOUCHER – Gift Vouchers – Gifts Horses-store.com HERE:

    Horses-Store.com and Four : A sprint with four early or E horses with 6….

    Horses-Store.com - Four : A sprint with four early or E horses with 6….

    Horses-Store.com and Four : A sprint with four early or E horses with 6….

    Horses-Store.com - Four : A sprint with four early or E horses with 6….

    Passenger Transport Services, Endeavour House, 8 Russell Road, Ipswich, IP1 2BX

    Bracelet charm - Rhinestone horse shoe [fits Pandora bracelet] - Jewellery - Gifts Horses-store.com Passenger Transport Services, Endeavour House, 8 Russell Road, Ipswich, IP1 2BX

    TIMETABLE DETAILS: Commenced September 1996.

    Amended September 2006 ROUTE SB418 – JOHNS TOURS Tel: 01449-675217 ADULT SEAT REQUIREMENT: 53 Seats – Contract TIMETABLE DETAILS: Commenced September 1993.Amended September 2006. Service Number SB412 SB418 Hitcham Post Office 0806 Buxhall Fen, Stowmarket Road (Rattlesden Turn) 0755 Buxhall, Noahs Ark Farm 0802 Buxhall, Edmunds Road 0807 Buxhall, Crown 0808 Buxhall, Blacksmiths 0811 Buxhall, Church Corner 0812 Great Finborough, High Road 0810 Great Finborough, Primary School 0815 0815 Great Finborough, Chestnut Horse 0816 A 0816 A Great Farm, Home Farm 0818 COMBS MIDDLE SCHOOL 0831 STOWMARKET HIGH SCHOOL 0838 STOWMARKET MIDDLE SCHOOL 0843 Code A – Connects at 0816 Great Finborough, Chestnut Horse with Route SB412 Service Number STOWMARKET HIGH SCHOOL STOWMARKET MIDDLE SCHOOL COMBS MIDDLE SCHOOL Great Farm, Home Farm Great Finborough, Chestnut Horse Great Finborough, Primary School Great Finborough, High Road Buxhall, Church Corner Buxhall, Blacksmiths Buxhall, Crown Buxhall, Edmunds Road Buxhall, Noahs Ark Farm Buxhall Fen, Stowmarket Road (Rattlesden Turn) Hitcham Post Office SB418 1530 1543 1550 B 1551 1554 1555 1558 1559 1604 1611 SB412 1535 1540 1550 B 1552 1600 1607 Code B – Connects at 1550 Great Finborough, Chestnut Horse with Route SB412 This and all timetable information provided by the Education Transport Service is intended to be a guide to pupils, parents and members of the public.

    While every effort is made to give accurate information, it is necessary at times to make changes at short notice for operational reasons.

    Many locations are served by more than one bus because of the high number of pupils travelling and the need for the Education Transport Service to control pupils’ allocation to buses in order to ensure buses are not overloaded.

    THIS TIMETABLE IS THEREFORE INTENDED AS A GUIDE ONLY. Passenger Transport Services, Endeavour House, 8 Russell Road, Ipswich, IP1 2BX. Tel 01473 265064

    Read more about Passenger Transport Services, Endeavour House, 8 Russell Road, Ipswich, IP1 2BX:

    Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra

    Other Sources:

  • Big Bend Saddlery
  • Dream Horse Classifieds: DreamHorse.com – Horses for Sale
  • Bicycle Saddle Fit: Cycling Gear Guide | Bicycling Magazine
  • Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra, Learn more about Bracelet charm – Rhinestone horse shoe [fits Pandora bracelet] – Jewellery – Gifts Horses-store.com HERE:

    Horses-Store.com and     Passenger Transport Services, Endeavour House, 8 Russell Road, Ipswich, IP1 2B Horses-Store.com and     Passenger Transport Services, Endeavour House, 8 Russell Road, Ipswich, IP1 2B

    Barrels : Open Small Equine Barrels Contesting Class 5 00pm Evening Classes….

    Bridle Bijoux - Silver & Ruby - Bridle-bling - Gifts Horses-store.comBarrels : Open Small Equine Barrels Contesting Class 5 00pm Evening Classes….

    30-Minute Tack Change after English Horse Pleasure Championship Class DRIVING CLASSES – Note: These Classes May Take Place in the Pony Arena st th st th (Classes # 72 thru 74 – 1 thru 6 Place – Ribbons 1 thru 6 Place) Groom in Driving Carts Optional 72.

    Open Ground Driving – Horse / Pony (over 42”) and Small Equine (42” & under – non-ridden) NOTE: The wearing of an Approved Safety Helmet is Mandatory for Driving Classes 73 & 74 Tack Change – Limit TBA 73.

    Open Pleasure Driving – Horse / Pony (over 42”) and Small Equine (42” & under – non ridden) – rail work class 74.

    Open Reinsmanship – Horse / Pony (over 42”) and Small Equine (42” & under – non ridden) – with a pattern TUESDAY JULY 10, 2012 – LUCAS COUNTY FAIR – PERFORMANCE & GYMKHANA DAY st th st th All Classes Place 1 thru 6 – Ribbons 1 thru 6 1 HORSE / 1 RIDER / 1 NUMBER ND RD 2 & 3 HORSE PROJECTS KEEP INDIVIDUAL TALLY – NO COMBINED SCORES FOR HI-POINT +ALL Walk/Trot Classes – Not Eligible For Any Canter or Championship Classes **Championship Call Backs – enter appropriate class – either Horse or Pony Championship Classes Horse = any equine 58‖ & over; Ponies = any equine over 42‖ to 58‖; Mini & Small Equine = any equine 42‖ and under (not under saddle) Class Selection by Experience (Based on Youth‘s Horse Riding Experience) Advanced Classes – for 7yrs & Up Intermediate Classes – for 4 to 6 yrs Beginner Classes – for 1 to 3 yrs st Walk/Trot – for 1 Year Only – No Canter Open Classes – All Ages 10:00am – Classes Begin Today‘s Show Bill – (Show Bill Subject to Change) TRAIL IN-HAND CLASSES – Move to Tuesday 10:00am st th st th (Classes # 75 thru # 79 – 1 thru to 6 Place – Ribbons 1 thru 6 Place) Held in Main Arena Enter 1 Class Only Allow 2.5-hour approx.

    For class 75.

    Open Mini & Small Equine Horse/Pony (42” & under – non ridden) 76.

    Advanced Trail In-Hand Class Horse/Pony – (Equine over 42”) 77.

    Intermediate Trail In-Hand Class Horse/Pony – (Equine over 42”) 78.

    Beginner Trail In-Hand Class Horse/Pony – (Equine over 42”) 79. +Walk/Trot Trail In-Hand Class Horse/Pony – (Equine over 42”) (All Trail In Hand Classes – 3 minute time limit per entry per State Rule Book – 2012) 30-Minute Lunch Break Not to Begin Before 1:00pm SMALL EQUINE & MINI HORSE GYMKHANA CLASSES (For Equine 42‖ & Under – Non-Ridden) 80.

    Open Small Equine Speed & Action Class 81.

    Open Small Equine Poles Contesting Class 82.

    Open Small Equine Barrels Contesting Class 5:00pm Evening Classes Resume HORSE/PONY GYMKHANA CLASSES 4:30pm – Pre-Contesting Equipment Inspection – In Practice Arena Before Entering Gymkhana Classes – All Riders & Horses/Ponies Must Report For Inspection TUESDAY JULY 10, 2012 – LUCAS COUNTY FAIR *HORSE/PONY GYMKHANA CLASSES st th st th All Classes Place 1 thru 6 – Ribbons 1 thru 6 MARION MEISTER HIGH-POINT AWARD – FOR FASTEST COMBINED CONTESTING TIMES ND RD 1 HORSE / 1 RIDER / 1 NUMBER / 2 & 3 HORSE PROJECTS KEEP INDIVIDUAL TALLY NO COMBINED SCORES FOR HI-POINT CONTESTING POINTS GO TOWARDS CONTESTING GRAND & RESERVE CHAMPION & OVERALL HI-POINT 4:30pm – Pre-Contesting Equipment Inspection – In Practice Arena Before Entering Gymkhana Classes All Riders & Horses/Ponies Must Report For Inspection All Gymkhana Classes For Equine Under Saddle Only +ALL Walk/Trot Classes – Not Eligible For Any Canter or Championship Classes Horse = any equine 58‖ & over; Ponies = any equine over 42‖ to 58‖; *For Gymkhana Classes Only Sign-up for Age Appropriate Classes 5:00pm – Evening Classes Seniors = 14-18 years old Juniors = 8-13 years old Walk/Trot = 8-18 years old – No Canter Open Classes – All Ages 83.

    Sr.

    Speed & Control – (14-18) 84.

    Jr.

    Speed & Control – (8-13) 85.

    Sr.*Poles – (14-18) 86.

    Jr.*Poles – (8-13) 87. +Walk/Trot Poles – (8-18) – (Cantering is off pattern, DQ) 88.

    Sr.

    Stake Race – (14-18) 89.

    Jr.

    Stake Race – (8-13) 90.

    Sr.

    Cones & Barrels – (14-18) 91.

    Jr.

    Cones & Barrels – (8-13) 92.

    Sr. **Barrels – (14-18) 93.

    Jr. **Barrels – (8-13) 94. +Walk/Trot Barrels – (8-18) – (Cantering is off pattern, DQ) 95.

    Sr.*Flags – (14-18) 96.

    Jr.*Flags – (8-13) 97.

    Sr.

    Texas Keyhole – (14-18) 98.

    Jr.

    Texas Keyhole – (8-13) 99.

    Sr.

    Ball Race – (14-18) 100.

    Jr.

    Ball Race – (8-13) 101 Sr.

    Down & Back – (14-18) 102.

    Jr.

    Down & Back – (8-13) 103.

    Open 2-Man Relay Class – (8-18) – Counts toward Contesting High-Point Only – Not the Marion Meister Award **From the Marion Meister Award Guidelines: In case of a tie, the tie-breaker is the fastest time in Poles. *POLES (Even Years) – **BARRELS (Odd Years) WEDNESDAY, JULY 11, 2012 – LUCAS COUNTY FAIR – ENGLISH / WESTERN PERFORMANCE DAY st th st th All Classes Place 1 thru 6 – Ribbons 1 thru 6 1 HORSE / 1 RIDER / 1 NUMBER ND RD 2 & 3 HORSE PROJECTS KEEP INDIVIDUAL TALLY – NO COMBINED SCORES FOR HI-POINT +ALL Walk/Trot Classes – Not Eligible For Any Canter or Championship Classes **Championship Call Backs – enter appropriate class – either Horse or Pony Championship Classes Horse = any equine 58‖ & over; Ponies = any equine over 42‖ to 58‖; Mini & Small Equine = any equine 42‖ and under (not under saddle) 10:00am – Classes Begin Today‘s Show Bill – (Show Bill Subject To Change) Class Selection by Experience (Based on Youth‘s Horse Riding Experience) Advanced Classes – for 7yrs & Up Intermediate Classes – for 4 to 6 yrs Beginner Classes – for 1 to 3 yrs st Walk/Trot – for 1 Year only – No Canter Open Classes – All Ages DRESSAGE CLASSES Entries: May Choose Any 2 Classes in One Level to Compete In Sign-Up Entry Should List Class Number and Tests Letters or Numbers 104{A-B-C} – 105{1-2-3} – 106{1-2-3} (Example: #104 A-B; #105 2-3; 106 1-3) 104.

    Open Intro Level USDF ~ (High Percentage Score Award – Walk/Trot Classes)  Test A – Horse/Pony – Walk/Trot Only  Test B – Horse/Pony – Walk/Trot Only  Test C – Horse/Pony – Walk Trot Only 105.

    Open Training Level ~ (High Percentage Score Award – Training Level Classes)  Test 1 – Horse/Pony  Test 2 – Horse/Pony  Test 3 – Horse/Pony 106.

    Open First Level ~ (High Percentage Score Award – First Level Classes)  Test 1 – Horse/Pony  Test 2 – Horse/Pony  Test 3 – Horse/Pony 30-Minute Lunch Break & Arena Set-Up PATTERN CLASSES *Patterns To Be Used – Consult Current 4H Rule Book – Max Time per Rider 2.5 min (2012) *1 Horse/Pony Rider/Number Combination – Enter 1 Class Only *Same Horse/Pony/Rider Combination Will Not Enter Both Pattern & Western Reining Classes 107.

    Open Pattern Class – Advanced 108.

    Open Pattern Class – Intermediate 109 Open Pattern Class – Beginner st 110. +Open Walk/Trot Pattern Class – 1 Year Experience 10-Minute Break – Arena Set-up WESTERN REINING CLASSES *Patterns To Be Used – Consult Current 4H Rule Book *1Horse/Pony/Rider Number Combination – Enter 1 Class Only *Same Horse/Pony/Rider/Number Combination Will Not Enter Both Western Reining & Pattern Classes 111.

    Open Western Reining – (Pattern “C”) – Advanced 112.

    Open Western Reining – (Pattern “B”) – Intermediate 113.

    Open Western Reining – (Pattern “A”) – Beginner WEDNESDAY, JULY 11, 2012 – LUCAS COUNTY FAIR – ENGLISH / WESTERN PERFORMANCE DAY st th st th All Classes Place 1 thru 6 – Ribbons 1 thru 6 1 HORSE / 1 RIDER / 1 NUMBER ND RD 2 & 3 HORSE PROJECTS KEEP INDIVIDUAL TALLY – NO COMBINED SCORES FOR HI-POINT +ALL Walk/Trot Classes – Not Eligible For Any Canter or Championship Classes **Championship Call Backs – enter appropriate class – either Horse or Pony Championship Classes Horse = any equine 58‖ & over; Ponies = any equine over 42‖ to 58‖; Mini & Small Equine = any equine 42‖ and under (not under saddle) Class Selection by Experience (Based on Youth‘s Horse Riding Experience) Advanced Classes – for 7yrs & Up Intermediate Classes – for 4 to 6 yrs Beginner Classes – for 1 to 3 yrs st Walk/Trot – for 1 Year only – No Canter Open Classes – All Ages 10-Minute Break – Arena Set-up After Western Reining Class WESTERN RIDING CLASSES 114.

    Open Western Riding – Advanced – Curb Bit – Flying Lead Changes Only 115.

    Open Western Riding – Intermediate – Curb Bit – May participate in Advanced Pattern Class or Beginning Reining Class/Simple Lead Changes Only 116.

    Open Western Riding – Beginner – Snaffle Bit – Simple Lead Changes Only Note: 30-Minute Break – Before Versatility Class Begins – (Only If Above Classes Run After 5:00pm) 6:00pm – Evening Class 117.

    OPEN VERSATILITY SPECIALITY CLASS – (Does Not Count Toward Any High Point Award) 1).

    Hunter Equitation over Fences (Jumps Max 2‟) – “X” Jumps Only 2).

    Western Horsemanship 3). * W.

    Reining Pattern “A” 4).

    English Equitation 5). ** Barrels Class Guidelines:  May not use the same horse/rider combination in Combination Class  Tie Breaker – in final placing, the rider placing highest in Western Horsemanship will be the winner.  Versatility Class Competition does not fulfill the requirement of participating in a Showmanship or  Horsemanship/Equitation Classes for the Horse Projects.  Alternating Classes  *Alternates yearly –Trail Class (Odd Years) with W.

    Reining Pattern ―A‖ (Even Years)  **Alternates yearly – Poles (Odd Years) with Barrels (Even Years) THURSDAY, JULY 12, 2012 – LUCAS COUNTY FAIR – ENGLISH PERFOMANCE & FUN DAY st th st th All Classes Place 1 thru 6 – Ribbons 1 thru 6 1 HORSE / 1 RIDER / 1 NUMBER nd rd 2 & 3 HORSE PROJECTS KEEP INDIVIDUAL TALLY – NO COMBINED SCORES FOR HI-POINT +ALL Walk/Trot Classes – Not Eligible For Any Canter or Championship Classes **Championship Call Backs – enter appropriate class – either Horse or Pony Championship Classes Horse = any equine 58‖ & over; Ponies = any equine over 42‖ to 58‖; Mini & Small Equine = any equine 42‖ and under (not under saddle) Class Selection by Experience (Based on Youth‘s Horse Riding Experience) 9:00am ~ Jumping Warm-Ups 10:00am – Classes Begin Today‘s Show Bill – (Show Bill Subject to Change) Advanced Classes – for 7yrs & Up Intermediate Classes – for 4 to 6 yrs Beginner Classes – for 1 to 3 yrs st Walk/Trot – for 1 Year only – No Canter Open Classes – All Ages LUCAS COUNTY FAIR JUMPING CLASSES 4-H Rule Book – New Jump Height Requirements – 2012 Jump Heights – Small Pony (SP) – Medium Pony (MP) – Large Pony (LP) – Horse (H) 118.

    Open Small Equine & Mini Horse Hunter In Hand Class – (42” & Under – Non–ridden) 119.

    Open Hunter Hack – (2‟ jumps) 120.

    Open Equitation Over Cross Rails – (1‟6” to 2‟ X-jumps) – May Be Trotted without Penalty 121.

    Open Cross Rail Hunter – (1‟6” to 2‟ X-Jumps) – May Be Trotted without Penalty 122.

    Open Novice Equitation Over Fences **– (18” (P) to 2‟ (H) jumps) -– Not a Walk/Trot Class 123.

    Open Green Working Hunter – (18” (P) to 2‟ (H) jumps) 124.

    Open Intermediate Equitation Over Fences – (2‟ (SP) to 2‟3” (MP, LP, H) jumps) 125.

    Open Low Working Hunter – (2‟ (SP) to 2‟3” (MP, LP, H jumps) 126.

    Open Advanced Equitation Over Fences – (2‟ (SP) to 2‟3” (MP), 3‟ (LP, H) jumps) 127.

    Open Regular Working Hunter – (2‟ (SP) to 2‟6” (MP, LP, H) jumps) 30-Minute Lunch Break LUCAS COUNTY FAIR FUN CLASSES 128.

    Open Team Tournament Class 129.

    Open Egg & Spoon 130.

    Open Command Class 131.

    Open $$ Dollar $$ Bareback 132.

    Open Bareback Western Horse/Pony Horsemanship – Advanced Experience – Not Eligible for Championship Class 133.

    Open Bareback Western Horse/Pony Horsemanship – Intermediate Experience – Not Eligible for Championship Class 134.

    Open Bareback Western Horse/Pony Horsemanship – Beginner Experience – Not Eligible for Championship Class 135. +Walk/Trot Bareback Western Horse/Pony Horsemanship – Not Eligible for Championship Class 2-Hour Break Before Costume Class 136.

    Open Costume Class FRIDAY JULY 13, 2012 – LUCAS COUNTY FAIR – PERFORMANCE DAY st th st th All Classes Place 1 thru 6 – Ribbons 1 thru 6 1 HORSE / 1 RIDER / 1 NUMBER nd rd 2 . & 3 .

    HORSE PROJECTS KEEP INDIVIDUAL TALLY – NO COMBINED SCORES FOR HI-POINT +ALL Walk/Trot Classes – Not Eligible For Any Canter or Championship Classes **Championship Call Backs – enter appropriate class – either Horse or Pony Championship Classes Horse = any equine 58‖ & over; Ponies = any equine over 42‖ to 58‖; Class Selection by Experience Mini & Small Equine = any equine 42‖ and under (not under saddle) 10:00am – Classes Begin Today‘s Show Bill – (Show Bill Subject to Change) Any Seat 137.

    Open Trail Class –Advanced Experience 138.

    Open Trail Class – Intermediate Experience 139.

    Open Trail Class – Beginner Experience st 140. +Trail Class – Walk/Trot Horse/Pony – 1 Year Experience 141.

    Trail Class Championship NOON – 1-Hour Lunch Break

    Read more about Barrels : Open Small Equine Barrels Contesting Class 5 00pm Evening Classes….:

    Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra

    Other Sources:

  • Horses for sale in South Carolina :: HorseClicks
  • Equine.com: Horses for Sale | Horse Classifieds, Pictures, Horse …
  • Horse Bridles – Horse Tack, Supplies and Equipment from SmartPak …
  • Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra, Learn more about Bridle Bijoux – Silver & Ruby – Bridle-bling – Gifts Horses-store.com HERE:

    Horses-Store.com and Barrels : Open Small Equine Barrels Contesting Class 5 00pm Evening Classes….

    Horses-Store.com - Barrels : Open Small Equine Barrels Contesting Class 5 00pm Evening Classes….

    Horses-Store.com and Barrels : Open Small Equine Barrels Contesting Class 5 00pm Evening Classes….

    Horses-Store.com - Barrels : Open Small Equine Barrels Contesting Class 5 00pm Evening Classes….

    5cms • Snaffle bridle

    Bridle Bijoux - Silver & Ruby Horses-store.com5cms • Snaffle bridle

    • • • If a rider buys a horse that is qualified beyond these levels they can ride that horse at whatever level they are ESTABLISHED AT AS A RIDER. (ie if a rider buys a 2 star horse and they are competing at Preliminary then they can compete at that level and NOT at 2 Star.

    Such a horse then assumes the status of the rider).

    Rules are different at FEI Championships (Ref: rules) • “Riding Down” can also be done without penalty at one level below the level at which the rider is Established.

    If a rider wishes to ride down 2 levels they are given an additional starting penalty (like a handicap).

    In 2010 the RD penalty was 21 but in 2011 it will be changed.

    It is likely to be 15.

    Ie If you are riding at 1 star and want to go back to Pre Novice you can without penalty, however if you are riding 1 star and want to go back to Introductory then you will incur a riding down penalty. Equipment Tips and Trips! Dressage • Horse must wear a bridle or saddle cloth number • Gloves are optional in classes 1 star and below • Monkey Strap is fine • Breast plate is fine but no martingale. • For summer uniform shirt must have a sleeve • Dressage Whip can be carried in warm up arena (120cms including lash).

    Dressage Whip cannot be carried around the arena or in the test. 2 penalties for first error 4 for second, then elimination. • Spurs are optional and can be worn with smooth rowels & no longer that 3.5cms • Snaffle bridle. (see bits allowed by ref; rules) (no curb chains) • A noseband is compulsory Jumping • Horse must wear a bridle or saddle cloth number. • Gloves are optional in all classes. • For summer uniform shirt must have a sleeve. • Whip may not be longer than 75cms including flap and it must have a flap. • Spurs are optional but must not have moving parts & no longer than 3.5cms Cross Country: • Horses must wear a bridle or saddle cloth number • Riders must wear number in number holder (back and front) and have attached Medical Armband. • Back protectors are required in competition but are undefined under the rules.

    Riders are encouraged to wear back protectors.

    Riding Boots and Chaps. • Junior and Young Riders can ride in short boots without chaps up to One Star Level.

    Short boots with Chaps that are smooth leather on the outside are allowed in all classes up to two star level. (The essence of the rule is that the chap and boot should appear to be the same, colour and leather).

    CHAPS WHICH ARE SUEDE ARE NOT ALLOWED IN EVENTING AT ANY LEVEL or in any part of the competition.

    Long boots are allowed at all levels •

    Read more about 5cms • Snaffle bridle:

    Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra

    Other Sources:

  • Dream Horse Classifieds: DreamHorse.com – Horses for Sale
  • Leyland Cypress & Arborvitae New York. Stables Garden Center …
  • Horses On Sale!
  • Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra, Learn more about Bridle Bijoux – Silver & Ruby Horses-store.com HERE:

    Horses-Store.com and 5cms • Snaffle bridle

    Horses-Store.com - 5cms • Snaffle bridle

    Horses-Store.com and 5cms • Snaffle bridle

    Horses-Store.com - 5cms • Snaffle bridle

    Bog Spavin : d Veterinary Knowledge of Strained tendon sore shins Ring bone….

    Co-Flex Self Adhesive Flexible bandage - First Aid - For the Horse Horses-store.comBog Spavin : d Veterinary Knowledge of Strained tendon sore shins Ring bone….

     (a) Pony Club Service Service to Club – not riding.

    May include: Junior Committee; Instructing; Office bearer; Course building; Working bees; Organising functions; Other. (b) Experience in Horsemastership Outline experiences over last 3 years  (c) Shoeing Care of feet; Trimming; Practical experience; Theoretical knowledge; Corrective shoeing; Influence on movement. If candidate, because of health, is unable to demonstrate shoeing, a thorough knowledge of the theory will be acceptable.  (d) Veterinary Knowledge of: Strained tendon, sore shins; Ring bone, side bone; Bone spavin, bog spavin; Navicular disease, thoroughpin; Capped hock, string halt; Tender back, sore mouth; Wounds, skin disorders; Worming, bots – programme; Cold, strangles; Colic, hoof problems; Azoturia, lice and itch; Thorough general knowledge. (e) Designs for the following: Day yards for 4 horses Shelter shed for 1 horse in paddock (give full information and dimensions) Stable, yards, paddocks, working area to keep 4 horses on 10 acre property – Ground plan, sizes, aspects, etc   Section 4: Presentation Thorough knowledge of preparation of horse for showing – ridden and led classes; Plaiting and trimming; Knowledge of presentation requirements of different breed classes.  Section 5: Lungeing Knowledge of theory of lungeing; Correction of lateral flexion; Foot falls at all paces; Adjustment of side reins; Knowledge of tack and fitting; Discuss a horse’s shortcomings and ways of improvement.  Section 6: Breaking In Assisted a breaker at work on more than one occasion; Halter breaking; Tying up foals, weanlings; Theory of breaking in; Dangers; Things to be avoided; Own experiences.  Section 7: Practical Horsemanship Knowledge of: Feeding fit horse; Feeding at grass; Preparation for ODE – Exercise; Preparation for ODE – Feeding; Preparation for ODE – General care; Loading and travel – truck; Loading and travel – float ; Protection for travel; Dangers; Care of Horse:

    Read more about Bog Spavin : d Veterinary Knowledge of Strained tendon sore shins Ring bone….:

    Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra

    Other Sources:

  • Quarter Horse Horses for sale around USA :: HorseClicks
  • Malvern Saddlery LTD
  • Horses – Introduction | Nature | PBS
  • Equestrian Products – Guardian Horse Bedding, Equiderma Skin Products, Equilinn Sports Bra, Learn more about Co-Flex Self Adhesive Flexible bandage – First Aid – For the Horse Horses-store.com HERE:

    Horses-Store.com and Bog Spavin : d Veterinary Knowledge of Strained tendon sore shins Ring bone….

    Horses-Store.com - Bog Spavin : d Veterinary Knowledge of Strained tendon sore shins Ring bone….

    Horses-Store.com and Bog Spavin : d Veterinary Knowledge of Strained tendon sore shins Ring bone….

    Horses-Store.com - Bog Spavin : d Veterinary Knowledge of Strained tendon sore shins Ring bone….